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Pounding through the patches rapidly reveals a wealth of well-recorded and cunningly processed patches equipped with useful, velocity-switched variations and bags of opportunities for applying your preferred MIDI controllers. Rather than bog the product down with whizzy extras, such as EQs and compressors, Quantum Leap appears to have concentrated on the quality of the basic sounds. Articulation keyswitches are highlighted in blue on the keyboard at base.
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The Envelope section is more generous, with control over Attack, Hold, Decay, Sustain and Release.īut what's really useful is that you can readily see any patch articulations, thanks to a panel at bottom right, and even switch them off or unload them. ADT, with modulation, features, as does a minimalist filter with just Resonance and Frequency knobs. Sound-sculpting options are limited in that the delay only has only Time, Feedback and Level controls, while Reverb presets are limited to a lone Level rotary. Multiple patches can be loaded into a single instance of the Goliath interface and routed to nine stereo audio outs, although any pair can be made mono. However, the Play browser is well organised, grouping collections by type, and there's the facility to create Favourites folders for rapid access to your most often-used patches. With more than 180 instruments and over 600 patches in the core library, you might think digging through them could be a chore.
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There are basses, acoustic and electric guitars, percussion, acoustic and electronic pianos, organs, pop brass, orchestral instruments, choirs, ethnic instruments, atmospheres and a wealth of synth leads and pads. In detail In terms of sounds, Goliath covers a lot of ground. Of course, when using Goliath as a plug-in, you'll also need a 64-bit host sequencer, such as Cubase or Nuendo 4.1.
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If you're using a 64-bit computer, such as a modern Mac or high-end Windows machine, Play is able to address as much RAM as you can stuff onto the motherboard (up to 32GB with the Mac Pro), making for a massive 'live' sound-palette. This is capable of both 32- and 64-bit operation and sports a decent interface. In the past, Quantum Leap has used Native Instruments' technology to front-end its ROMplers, but Goliath is one of a new generation of QL products that uses the network-enabled Play engine. I then select and instrument and it comes up in the top right of the.Ī 6-DVD install, Goliath plonks 40GB of sample content onto your external, necessarily high-performance media drive (RAID 0 suggests itself) and a high-performance replay engine onto the system drive. My situation is that I have Colossus installed and have the library patch done.
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